Cate Dingley “Ezy Ryders”

Vice Prez Skip of Steel Horses leads a prayer for victims of violence, Brooklyn, 2016, pigment on paper, size 329 × 489 mm, image size 242 x 364 mm

Cate Dingley

"Ezy Ryders"

Exhibition at The Royal Theatre Arts Club April 13th – May 30 2023

This exhibition contains a curated selection of images from the artist’s newly released monograph, “Ezy Ryders.

”Ezy Ryders, which Cate Dingley photographed over a period of five years, follows New York City’s African-American motorcycle clubs as they denounce respectability, defy stereotypes, and find freedom within their community. The images depict the bikers’ lives, which are often linked together tighter than those of blood relations. One sees them throwing family barbecues outside the clubhouse, collecting diapers for low-income local families, commemorating their dead, flirting at a bikini bike wash, and socializing all night at an anniversary party. The clubs, or MCs, represent the cliche American ideals of individualism and rebelliousness, but with a different face than is usually expected or portrayed in American pop culture and media.

Jimmie Briggs writes in the monograph’s introduction:

“The women and men whom Dingley lovingly presents are part of the American (counter)culture as much as any other better-known group of people. They were born “outlaw” by the very nature of their skin color. Not only do Dingley’s images reveal the degree to which a Black MC culture was created to distinctly center their Blackness, but they also show them as proud, loving, tradition-focused, and respectful people. This project affirms the extraordinary warmth and zeal for life which is the heartbeat of Black MCs in New York City and throughout the United States, in defense against a larger society that has tried to stigmatize, or worse yet, ignore them.”

About the artist

CATE DINGLEY (b. 1989) is a documentary photographer based in Santa Fe, New Mexico. In 2018, Dingley was selected by Magenta Flash Forward as one of the 100 international emerging photographers and in 2017, she was listed by TIME as one of the 34 female photographers to follow. Her editorial clients include publications such as The New York Times Magazine, Bloomberg Business, The Wall Street Journal, and The Washington Post. Dingley’s Ezy Ryders project was awarded by the Brooklyn Arts Council in 2016, and resulted in a solo show in which she wheat pasted huge photographs across Brooklyn and The Bronx, in the neighborhoods where they were made. The work has also been exhibited in galleries and as public installations in Los Angeles, Santa Fe, and New York City. In 2019, Harley-Davidson’s HOG Magazine published a selection of Ezy Ryders as an 8-page cover story. Dingley is drawn to people who live their lives-apart; those who lead a passionate, unusual, or transgressive existence on the edge of visible society. Her projects follow subcultures that are hidden in plain sight, traces of history thought long gone, and groups that live by a code of tradition and ritual. Through a respectful approach to the people she photographs—usually with the intimate and collaborative spirit of portraiture—she collects moments of surprise, oddity, and honesty.

Dirt biker wheelie on Bruckner Boulevard, The Bronx, 2016, pigment on paper,pigment on paper, size 329 × 489 mm, image 242 x 364 mm

Cate Dingley “Ezy Ryders”

Prayers for the riders who’ve died, The Bronx, 2016,  pigment on paper, pigment on paper, size 329 × 489 mm, image 242 x 364 mm

The images depict the bikers’ lives, which are often linked together tighter than those of blood relations.

Larry O of Outcast MC, Brooklyn, 2017, pigment on paper, size 420 × 594 mm, image 327 x 327 mm

Jimmie Briggs writes in the monograph’s introduction: “The women and men whom Dingley lovingly presents are part of the American (counter)culture as much as any other better-known group of people. They were born “outlaw” by the very nature of their skin color. Not only do Dingley’s images reveal the degree to which a Black MC culture was created to distinctly center their Blackness, but they also show them as proud, loving, tradition-focused, and respectful people. This project affirms the extraordinary warmth and zeal for life which is the heartbeat of Black MCs in New York City and throughout the United States, in defense against a larger society that has tried to stigmatize, or worse yet, ignore them.”

Cate Dingley “Ezy Ryders”

Lovers, Brooklyn, 2018, pigment on paper, size 420 × 594 mm, image 327 x 327 mm

Cate Dingleys projects follow subcultures that are hidden in plain sight, traces of history thought long gone, and groups that live by a code of tradition and ritual.

Self-portrait riding with an outlaw club on the FDR, the Brooklyn Bridge and downtown in the background, Manhattan, 2017, pigment on paper, size 329 × 489 mm, image 242 x 364 mm

Cate Dingley “Ezy Ryders”

Ride-by salute at the Steel Horses bike blessing, Brooklyn, 2017, pigment on paper, size size 329 × 489 mm, image 242 x 364 mm

Prez Choice’s kids outside Black Falcons, The Bronx, 2016, pigment on paper, size 329 × 489 mm, image 242 x 364 mm

Cate Dingley “Ezy Ryders”

Prez Hammer of Big Shots MC, The Bronx, 2015, pigment on paper, size size 420 × 594 mm, image 327 x 327 mm

Prez Shifty of Blaque Pearls MC outside her home, The Bronx, 2018, pigment on paper, size 420 × 594 mm, image 327 x 327 mm

Cate Dingley “Ezy Ryders”

The Ghetto Coalition on their annual Pamper Run, Manhattan, 2017, pigment on paper, size 329 × 489 mm, image 242 x 364 mm

Prez Almighty of Wild Aces MC at their bikini bike wash, Brooklyn, 2017, pigment on paper, size 329 × 489 mm, image 242 x 364 mm

Cate Dingley “Ezy Ryders”

A stunt rider performs for the crowd, Brooklyn, 2019, pigment on paper, size 420 × 594 mm, image 327 x 327 mm

Cali, Brooklyn, 2016, pigment on paper, size 420 × 594 mm, image 327 x 327 mm

Ezy Ryders, Cate Dingleys first monograph, a photo book documenting New York City’s African-American motorcycle clubs, interwoven with intimate rider testimony.⁠

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